On Beethoven Mass in C and Brahms's Warum ist das Licht gegben Program NoteRyan BrandauJuly 9, 2020Beethoven, Brahm, Mass in C, Warum, romanticComment
On Carl Orff's Carmina Burana Program NoteRyan BrandauJune 15, 2020Program note, Carmina Burana, OrffComment
On Brahms's Ein deutsches Requiem Program NoteRyan BrandauJune 15, 2020Brahms, Requiem, romanticComment
On Mendelssohn's Elijah Program NoteRyan BrandauJune 15, 2020Mendelssohn, Elijah, romantic, classical Comment
On Mozart's Clarinet Concerto and Mass in C Minor Program NoteRyan BrandauJune 15, 2020Mozart, Mass in C Minor, classicalComment
On Handel's Solomon Program NoteRyan BrandauJune 15, 2020Handel, Solomon, program note, early music, baroque Comment
On Esenvalds's Passion and Resurrection, Barber's Adagio for Strings, and D'Astorga's Stabat Mater Program NoteRyan BrandauApril 23, 2020Esenvalds, passion and resurrection, barber, adagio for strings, D'astorga, stabat materComment
On Bernstein's Chichester Psalms and O'Regan's Triptych Program NoteRyan BrandauApril 23, 2020Bernstein, O'Regan, Triptych, Chichester Psalms Comment
On German Romantics: Brahms's Schicksalslied, Mahler's Ich bin der Welt, Mendelssohn's Calm Sea and Prosperous Voyage, Beethoven's Violin Romance, and Brahms Liebeslieder Waltzes Program NoteRyan BrandauApril 23, 2020Mahler, Brahms, Beethoven, Mendelssohn, Schicksalslied, Calm Sea and Prosperous Voyage, Ruckertlieder, LiebesliederComment
On Poulenc's Figure Humaine and Part's Passio Program NoteRyan BrandauApril 23, 2020poulenc, figure humaine, contemporary, modern, pärt, passio, WWII Comment
