Set list (all titles arranged by Ryan Brandau unless indicated otherwise)
ACT I
O Come, O Come Emmanuel / God Rest Ye Merry, Gentlemen
Lo, How a Rose E’re Blooming (instrumental transition; can be underscore for reading)
Magnificat Anima Mea, from Bach’s Magnificat
Recitative (from Handel’s Messiah) - soprano solo
There Were Shepherds Abiding in the Fields
And lo, the Angel of the Lord came upon them
And the Angel said unto them
And suddenly, there was with the Angel
Gloria in Excelsis, from Bach’s BWV 191/B Minor Mass (alternative: Glory to God from Handel’s Messiah)
I Wonder as I Wander (instrumental only)
Might Lord and King of Glory, from Bach’s Christmas Oratorio - baritone solo
Rejoice Greatly, from Handel’s Messiah - soprano solo
Still, Still, Still, Silent Night
Joy to the World (verse 1)
Hallelujah, from Handel’s Messiah
ACT II
Jingle Bells (optional singalong)
Greensleeves (instrumental only)
Gesu Bambino - soprano solo with chorus
I Heard the Bells on Christmas Day - baritone solo with chorus
Transition (can be used as underscore)
Optional vamp underscore for reading)
Finale: Joy to the World (verses 2&3) with We Wish You a Merry Christmas
All Holiday Titles • Secular Holiday • Sacred Holiday • Works with Orchestra
Joy to the World: a Christmas Suite (in two acts, with Bach Magnificat)
In this two-act, full concert version, Ryan James Brandau interweaves his innovative, beautifully orchestrated carol arrangements with selections from Handel’s Messiah, Bach’s Magnificat, Bach’s Christmas Oratorio, and Bach’s Gloria in Excelsis.
The arrangements of Joy to the World: a Christmas Suite were created with both professional and amateur orchestras in mind. They are designed to allow professional orchestras to deliver outstanding performances on minimal rehearsal and allow amateur orchestras to shine with professional-level polish. They feature fun-to-play, idiomatic passagework and attractive solos for nearly every instrument and section while avoiding difficult shifts, hard-to-tune keys, sustained bridge tones, and other pitfalls. The instrumentation does not require triple winds or significant auxiliary personnel but instead maximizes the impact of a medium-sized orchestra. It is designed to balance with string sections of varying sizes, from chamber to full professional symphony orchestra. All parts are fully bowed and articulated, with helpful cues after all long rests.
Instrumentation: 2.2(Eng hn).2(bass cl).2 4.3.0.0 timp perc (2) harp piano strings
Duration: Act I ~ 38 minutes ; Act II ~ 30 mins
“Ryan Brandau’s captivating holiday arrangements are in a class by themselves. They engender joy and beauty with their unique orchestrations and beautiful choral word painting. I’ve had the pleasure of playing these inventive arrangements for years and they are unfailingly gratifying.”
“Your beautiful arrangement was the hit of the concert. The audience loved it. The singers and orchestra loved it. The you for the care and craft of this set. It will become part of the Cincinnati tradition.”
“Each year, I look forward to performing holiday arrangements by Ryan Brandau. They are beautifully composed and feature lush harmonizations that add new depth to familiar melodies. The parts are idiomatic for each instrument and are a pleasure to play. I highly recommend these arrangements: They’re a joy for performers and audiences alike.”