Set list (all titles arranged by Ryan Brandau unless indicated otherwise)
ACT I
O Come, O Come Emmanuel / God Rest Ye Merry, Gentlemen
Lo, How a Rose E’re Blooming (instrumental transition; can be underscore for reading)
Recitative (from Handel’s Messiah) - soprano solo
There Were Shepherds Abiding in the Fields
And lo, the Angel of the Lord came upon them
And the Angel said unto them
And suddenly, there was with the Angel
Glory to God from Messiah (alternate: Gloria in Excelsis, from Bach’s BWV 191/B Minor Mass)
Silent Night (instrumental; introduction to O Holy Night)
Lord of Creation from Bach’s Christmas Oratorio (opening chorus of Part III)
Mighty Lord and King of Glory, from Bach’s Christmas Oratorio - baritone solo
Joy to the World (verse 1)
Hallelujah, from Handel’s Messiah
ACT II
Come Now with Gladness from Bach’s Christmas Oratorio (opening chorus of Part I)
Greensleeves (instrumental only)
Gesu Bambino - soprano solo with chorus
I Heard the Bells on Christmas Day - baritone solo with chorus
Finale: Joy to the World (verses 2&3) with We Wish You a Merry Christmas
All Holiday Titles • Secular Holiday • Sacred Holiday • Works with Orchestra
Joy to the World: a Christmas Suite (in two acts, with choruses from Bach’s Christmas Oratorio)
In this two-act, full concert version, Ryan James Brandau interweaves his innovative, beautifully orchestrated carol arrangements with selections from Handel’s Messiah and Bach’s Christmas Oratorio.
The arrangements of Joy to the World: a Christmas Suite were created with both professional and amateur orchestras in mind. They are designed to allow professional orchestras to deliver outstanding performances on minimal rehearsal and allow amateur orchestras to shine with professional-level polish. They feature fun-to-play, idiomatic passagework and attractive solos for nearly every instrument and section while avoiding difficult shifts, hard-to-tune keys, sustained bridge tones, and other pitfalls. The instrumentation does not require triple winds or significant auxiliary personnel but instead maximizes the impact of a medium-sized orchestra. It is designed to balance with string sections of varying sizes, from chamber to full professional symphony orchestra. All parts are fully bowed and articulated, with helpful cues after all long rests.
Instrumentation: 2.2(Eng hn).2(bass cl).2 4.3.0.0 timp perc (2) harp piano strings
Duration: Act I ~ 38 minutes ; Act II ~ 30 mins