Set list (all titles arranged by Ryan Brandau unless indicated otherwise)
O Come, O Come Emmanuel / God Rest Ye Merry, Gentlemen
Transition (can be underscore for reading)
And the Glory of the Lord, from Handel’s Messiah
Sanctus and Pleni Sunt Caeli, from Bach’s Mass in B Minor
Away in a Manger (can be underscore for reading)
Recitative (from Handel’s Messiah) - soprano solo
There Were Shepherds Abiding in the Fields
And lo, the Angel of the Lord came upon them
And the Angel said unto them
And suddenly, there was with the Angel
Glory to God, from Handel’s Messiah (alternative: Gloria in Excelsis from Bach’s Mass in B Minor)
I Saw Three Ships
I Heard the Bells on Christmas Day - baritone solo
Come Unto Him (from Handel’s Messiah) - soprano solo
Still, Still, Still, Silent Night
O Come All Ye Faithful (fanfare with singalong)
Gesu Bambino (Pietro Yon, arr. Brandau) - soprano solo with chorus
Jingle Bells (optional singalong)
Go Tell it on the Mountain (arr. Margaret Bonds, orch. Brandau) - baritone solo **
Deck the Hall
Wassail
Joy to the World (verse 1)
Hallelujah (from Handel’s Messiah)
Auld Lang Syne
Finale: Joy to the World (verses 2&3) with We Wish You a Merry Christmas
**Requires additional licensing fee
All Holiday Titles • Secular Holiday • Sacred Holiday • Works with Orchestra
Joy to the World: a Christmas Suite (one-act, full concert version)
In this one-act, full concert version, Ryan James Brandau interweaves his innovative, beautifully orchestrated carol arrangements with selections from Handel’s Messiah and the Sanctus from Bach’s Mass in B Minor.
The arrangements of Joy to the World: a Christmas Suite were created with both professional and amateur orchestras in mind. They are designed to allow professional orchestras to deliver outstanding performances on minimal rehearsal and allow amateur orchestras to shine with professional-level polish. They feature fun-to-play, idiomatic passagework and attractive solos for nearly every instrument and section while avoiding difficult shifts, hard-to-tune keys, sustained bridge tones, and other pitfalls. The instrumentation does not require triple winds or significant auxiliary personnel but instead maximizes the impact of a medium-sized orchestra. It is designed to balance with string sections of varying sizes, from chamber to full professional symphony orchestra. All parts are fully bowed and articulated, with helpful cues after all long rests.
Instrumentation: 2.2(Eng hn).2(bass cl).2 4.3.3.0 timp perc (2) harp piano strings
Duration: ~70 minutes
“Ryan Brandau’s captivating holiday arrangements are in a class by themselves. They engender joy and beauty with their unique orchestrations and beautiful choral word painting. I’ve had the pleasure of playing these inventive arrangements for years and they are unfailingly gratifying.”
“Your beautiful arrangement was the hit of the concert. The audience loved it. The singers and orchestra loved it. The you for the care and craft of this set. It will become part of the Cincinnati tradition.”
“Each year, I look forward to performing holiday arrangements by Ryan Brandau. They are beautifully composed and feature lush harmonizations that add new depth to familiar melodies. The parts are idiomatic for each instrument and are a pleasure to play. I highly recommend these arrangements: They’re a joy for performers and audiences alike.”